One of the biggest challenges we faced when "refacing" our design was coming to a consensus about what the top of the cabinet would look like. As you have already seen in Frank Cheney's original design, the top of the cabinet was meant to have an asymmetrical curve.
We wanted to keep this theme, feeling that it spoke well for the museum space in which it will be housed. However, there was much debate on things such as the material, facing, and overall method of making this curve a reality.
Here are some photos of our early modeled and drawn proposals for the top of the cabinet:
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